Drive Review
Yesterday I was lucky enough to hear Nicolas Winding Refn talk in detail about his latest film, Drive. The film won Refn the prize for Best Director at Cannes and understandably the film has a lot of hype surrounding it. And it is all entirely justified.
Adapted from the book by James Sallis, the director explained how Ryan Gosling approached him with the initial idea, but the process had a very rocky start at a restaurant after the director reacted to medication he was taking for feverish symptoms. Not being able to even string a sentence together, Refn had Gosling drive him home as he was too ill to get a taxi. Still unable to talk, Gosling turned the radio on to unhinge the awkward silence. Things got increasingly worse for the director when he started to cry along to ‘Can’t Fight This Feeling’ by REO Speedwagon. After suddenly breaking his silence and singing along, air drumming, the works, Refn screamed in Ryan Gosling’s face that he has the answer. He knew what Drive was all about. It’s the music.
It is exceptionally clear how Refn’s emotional experience has carried over to his work. The soul of the film is the soundtrack, the characters appearing to breathe with it, tracking both the intensity and fragility of Gosling’s emotions perfectly. Adding a euphoric veneer to the simple act of driving through the normally monotonous city streets, the electro beats automatically make us view this film as retro, even when showing us the modern American skyscrapers.
From the trailer , you’ll know this film is rather heavy in regards to violence – hammers, guns, fists, you name it – but the film’s strength is that it commits unfailingly. There may not be blood in every scene, but when it comes it is all the more hard-hitting, arriving in short sharp bursts that are hard to predict and more than a little jumpy. The brutality comes from the hands of Gosling’s beautiful monster; silent, stoic and absolutely mesmerising. The incredible ability he has to emote with his eyes says more than any amount of words and was a fantastic choice Gosling and Refn made in regards to how little dialogue the character has throughout the film.
Face Lift Cannes - News

a reader of the Dutch car magazine Autoweek made good use of his camera and now we have some photos with the facelift version 2012 Toyota Avensis. This photos were taken after the mid-size sedan was spotted without camouflage near Cannes.

But just two days after that Gillard is due in the French seaside resort of Cannes - swapping its usual notoriety of film and entertainment for finance and economics as it plays host to the G20. This would seem the logical point before Christmas to

Embrace disaster Cannes in a Van's Andy Greenhouse says: "On our first outing we only took one boat battery so it didn't last very long. We would lift up the bonnet, connect the jump leads and run the engine, chugging fumes right into our audience,

Unlike other women your age, you never had plastic surgery or facelift. No, because I had the best plastic surgery, which is my attitude. I'm very optimistic. I'm very positive; I see God everywhere. I see beauty everywhere, even in garbage.

The film won Refn the prize for Best Director at Cannes and understandably the film has a lot of hype surrounding it. And it is all entirely justified. Adapted from the book by James Sallis, the director explained how Ryan Gosling approached him with
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Face Lift Cannes - Bookshelf
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Car Review, All New Release Date, Insurance, Price, Loan, Redesign, Changes, 0-60 ... facelift version appeared online after sedan without camouflage was caught near Cannes. ...